You can call me Raph :)
Hi, I'm Raphael Coelho, a Technical Artist, Software Engineer, and Unreal Engine Specialist with a passion for bridging technology and creativity. With expertise in C++, Blueprints, and Python, I develop custom tools, gameplay systems, and VFX solutions for games and film, optimizing workflows and crafting immersive experiences. I have extensive experience in game development, having contributed to multiple projects across various studios. My work includes developing and optimizing code, creating technical solutions, designing particles and visual effects, coordinating teams, and ensuring each project aligns with its creative vision. Originally from Brazil, I moved to Canada two years ago. I hold a degree in Game Programming and recently graduated from BCIT in 3D Modeling, Art, and Animation, further strengthening my technical and artistic expertise. I’m currently looking for new opportunities in Technical Art, Unreal Development, or Software Engineering, where I can contribute my skills to game development, virtual production, or VFX-heavy film projects.
My journey with Unreal began in the UDK days, and I've been passionate about it ever since. I've worked with Unreal Engine 4 from its initial release, gaining extensive experience across various projects and challenges. With a strong command of Unreal Engine's tools and systems, I'm confident in solving any problem it presents.
Since January 2024, I've been diving into Houdini and discovered a strong passion for it, especially in working with particles, simulations, and effects. Houdini also synergizes incredibly well with Unreal Engine for procedural tools and level creation. The more I learn, the more I love what Houdini can do.
I began using Maya many years ago, and it has become an essential part of my workflow. From hard surface modeling to animation and rigging, Maya remains a versatile tool I rely on regularly. Its robust features have allowed me to tackle a wide range of tasks effectively, and it continues to be a foundational tool in my projects.
In recent years, I've worked on many game projects using both Blueprints and C++. I use Blueprints for quick prototyping and C++ for complex tasks that need optimization. Together, they're the perfect combination for building any type of game. Using both also allows me to create in-house systems and tools that make work easier for the development team.
Python is an essential programming language for quickly connecting tools and speeding up tasks. Nearly all development software supports and benefits from it. I've used Python to create tools for both Maya and Unreal, enhancing workflows and efficiency.
I believe every artist should know how to edit and present their work effectively. Over the years, I've had the opportunity to work with Nuke, Premiere, and DaVinci Resolve, gaining experience in each. These tools have helped me refine how I showcase projects and bring out the best in my work.
I'm very comfortable with Perforce and Git. Years of experience using these tools have taught me how to manage, troubleshoot, and set up new repositories effectively.
Like Premiere, I feel Photoshop is essential for any developer. I've used it extensively to create and edit images for the games I've worked on, making it a must-have tool in my workflow.